tactics for teaching synthesis

Nick Keenan asked – a week ago – how we (that’s you) teach synthesis. I think I teach it, obliquely, like this. I teach the value of reflexivity and awareness: what am I doing? What choices am I making? What am I taking for granted? Part of that process is the belief that sometimes you


diversity, coherence and ed vaizey’s “national cultural agenda”

Ed Vaizey’s recent speech on “cultural education” seems to suggest a near-future of cuts and centralization in arts funding. First, there’s the repeated suggestion of “confusion and duplication,” a “blizzard of initiatives” that represent wasteful effort. Vaizey doesn’t actually provide any real support for that claim, but it’s the rhetorical basis for the call to


against hierarchies of participation

I’m introducing students to different models of devised performance – and, in passing, described Clay Shirky’s hierarchy of participation: starting with sharing, and moving in increasing complexity through co-operation and collaboration to collective action. Since that lecture, I’ve been thinking about the value of recognising the link beween these different kinds of participation – that


reasons to distrust

It’s awkward timing that bloggers should start digging through David Cameron’s amnesiac record on LGBT issues at the moment when Attitude declares that he wants “gay love.” The attempt to bury a vote against same-sex adoption rights in 2002 as a procedural wrinkle demonstrates remarkable tone-deafness, given the Conservative party’s track record on queer issues: