— read write play

A few months ago I wrote something on the lack of women on TV comedy panel shows after a long conversation on Twitter with friends in and around the industry. Here’s a persuasive alternative perspective from Bethany Black.

Killer quote: “If any part of comedy is sexist, it’s the audiences.”

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If your corporate culture leads to you accidentally selling t-shirts which appear to repeat the excuses for domestic violence, just apologise. You screwed up, it was poor judgement. Say sorry and then close your mouth.

If, like Topman, you also go on to claim that your t-shirts were intended to be “light-hearted” with no deeper “serious” message, you may end up looking like you made a conscious and calculated decision to joke about domestic violence, even if you really didn’t. You thought they were just funny words. You may look like a company that weighed up the pros and cons of possible offence, and decided this particular masterwork of words on a shirt was worth the risk, when – in all likelihood – it got approved when no-one was paying attention.

You may even end up looking like a company that thought, “Is this a shirt only an arsehole would wear? Hey, are our customers arseholes?” You didn’t think those things, but now people are wondering if you did. However, you may also find some of your customers rushing to defend you on your Facebook page, customers who – quite independently of buying your range of fine clothing – are indeed arseholes, loud and plain. You probably don’t want them on your side. You’re probably nice people, but now strangers are telling other strangers upset about the trivialisation of domestic abuse to get over themselves, and they’re doing it on your behalf. Those arseholes think they’re being helpful.

I’d probably stop at the apology next time.

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A little news:

  • first, stevegreer.org, a website with my name on it, and queer theory reader, a tumblr for day-to-day linkage and cultural politics commentary.
  • The first draft of my book on contemporary British queer performance is now with my editors at Palgrave Macmillan; hopefully, I’ll get to share it with you later next year. I’m also writing a paper on queer publics in video-gaming culture which should appear rather sooner; a book chapter in a collection titled Performance After Identity should also appear in the spring.
  • Though there was no main Penny Dreadfuls show at the Edinburgh Fringe this year, Thom, Humphrey and Dave all took strange, beautiful and funny solo shows to the festival. Humphrey, to his annoying credit, won the Best Newcomer comedy prize for Dimmock Watson: Nazi Smasher. Neil worked on Dave and Humphrey’s shows with his usual cunning, and Idil camped out in the Pleasance press office as the venue’s official photographer. I took ten days in the festival to actually see some theatre, something I’ve largely managed to avoid for over ten years.
  • I’m itching to make some kind of theatre & comedy circuit podcast, an impulse I’ve managed to strangle twice before. Time to give it a whirl?
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A journal paper, published: "Collaborative performance and asynchronous action: World Without Oil's fragmented forum." http://bit.ly/fJQy6p
@stevegreer
Steve Greer
Note to self: fewer words in title of next journal paper.
@stevegreer
Steve Greer
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