Category Archives: Theatre

diversity, coherence and ed vaizey’s “national cultural agenda”

Ed Vaizey’s recent speech on “cultural education” seems to suggest a near-future of cuts and centralization in arts funding. First, there’s the repeated suggestion of “confusion and duplication,” a “blizzard of initiatives” that represent wasteful effort. Vaizey doesn’t actually provide any real support for that claim, but it’s the rhetorical basis for the call to

against hierarchies of participation

I’m introducing students to different models of devised performance – and, in passing, described Clay Shirky’s hierarchy of participation: starting with sharing, and moving in increasing complexity through co-operation and collaboration to collective action. Since that lecture, I’ve been thinking about the value of recognising the link beween these different kinds of participation – that

learning curve

I’m learning – always, always learning – to be more aware of why students ask for help understanding tasks during workshops. Sometimes it’s simple: I’ve explained it badly; brain-to-mouth failure. However, I’ve also realised that – sometimes – students aren’t asking for clarification (what are we supposed to be doing?) but for reassurance (am I

games and performance

Working with my performance writing students this morning, I set them the task of quickly inventing a game to be played before, during, after or as a piece of performance. I asked them to determine a playing space, one or more tasks to be completed and a relationship between the players. Here are three of