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	<title>read write play &#187; Misc.</title>
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	<link>http://www.readwriteplay.co.uk</link>
	<description>an occasional blog by steve greer</description>
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		<title>&#8220;So why are there so few women performing stand-up?&#8221;</title>
		<link>http://www.readwriteplay.co.uk/2011/10/01/so-why-are-there-so-few-women-performing-stand-up/</link>
		<comments>http://www.readwriteplay.co.uk/2011/10/01/so-why-are-there-so-few-women-performing-stand-up/#comments</comments>
		<pubDate>Sat, 01 Oct 2011 15:42:23 +0000</pubDate>
		<dc:creator>Steve G</dc:creator>
				<category><![CDATA[Misc.]]></category>
		<category><![CDATA[Politics]]></category>

		<guid isPermaLink="false">http://www.readwriteplay.co.uk/?p=1530</guid>
		<description><![CDATA[A few months ago I wrote something on the lack of women on TV comedy panel shows after a long conversation on Twitter with friends in and around the industry. Here&#8217;s a persuasive alternative perspective from Bethany Black. Killer quote: &#8220;If any part of comedy is sexist, it&#8217;s the audiences.&#8221;]]></description>
			<content:encoded><![CDATA[<p>A few months ago I wrote something on the lack of women on TV comedy panel shows after a long conversation on Twitter with friends in and around the industry. Here&#8217;s a persuasive alternative perspective from <a href="http://bethanyblack.blogspot.com/2011/10/dont-put-your-daughter-on-stage-mrs.html">Bethany Black</a>. </p>
<p>Killer quote: &#8220;If any part of comedy is sexist, it&#8217;s the audiences.&#8221;</p>
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		<title>Update</title>
		<link>http://www.readwriteplay.co.uk/2011/09/02/update/</link>
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		<pubDate>Fri, 02 Sep 2011 18:05:56 +0000</pubDate>
		<dc:creator>Steve G</dc:creator>
				<category><![CDATA[Misc.]]></category>
		<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">http://www.readwriteplay.co.uk/?p=1521</guid>
		<description><![CDATA[A little news: first, stevegreer.org, a website with my name on it, and queer theory reader, a tumblr for day-to-day linkage and cultural politics commentary. The first draft of my book on contemporary British queer performance is now with my editors at Palgrave Macmillan; hopefully, I&#8217;ll get to share it with you later next year. [...]]]></description>
			<content:encoded><![CDATA[<p>A little news:</p>
<ul>
<li>first, <a href="http://stevegreer.org/">stevegreer.org</a>, a website with my name on it, and <a href="http://queertheory.tumblr.com/">queer theory reader</a>, a tumblr for day-to-day linkage and cultural politics commentary.</li>
<li>The first draft of my book on contemporary British queer performance is now with my editors at Palgrave Macmillan; hopefully, I&#8217;ll get to share it with you later next year. I&#8217;m also writing a paper on queer publics in video-gaming culture which should appear rather sooner; a book chapter in a collection titled Performance After Identity should also appear in the spring.</li>
<li>Though there was no main <a href="http://www.pennydreadfuls.co.uk/">Penny Dreadfuls</a> show at the Edinburgh Fringe this year, Thom, Humphrey and Dave all took strange, beautiful and funny solo shows to the festival. Humphrey, to his annoying credit, won the Best Newcomer comedy prize for <em>Dimmock Watson: Nazi Smasher</em>. Neil worked on Dave and Humphrey&#8217;s shows with his usual cunning, and Idil camped out in the Pleasance press office as the venue&#8217;s official photographer. I took ten days in the festival to actually see some theatre, something I&#8217;ve largely managed to avoid for over ten years.</li>
<li>I&#8217;m itching to make some kind of theatre &amp; comedy circuit podcast, an impulse I&#8217;ve managed to strangle twice before. Time to give it a whirl?</li>
</ul>
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